The band’s most favoured themes – nostalgia, bittersweet memories, young love, friendship – are all present and correct. It doesn’t really fit at the end of the album on its own, it’s an impressive and rather moving pop ballad with some of the band’s best vocal work, including those superb harmonies on the chorus. Perhaps not the most obvious choice for number one, this enormously underrated track from Take Me Home has a title that belies its disarmingly mature approach, from the lyrics to the romantic production filled with sweeping violins and tender guitars. Meanwhile that driving, synth-pop backing track is a dead ringer for “Style” – Swift’s song widely believed to have been written about Styles himself (if the title wasn’t enough of a clue).
He references knights in shining armour and a person “looking for someone to write your breakup songs about”. Harry Styles gets top marks for sheer audacity with this blatant riff on a classic song by his ex-girlfriend, Taylor Swift. Malik’s vocal performance here is particularly impressive, but each member gives the track their all. Yet after five virtually non-stop years, it was clear that even these energetic young lads were beginning to run out of steam.Ī defiant song that has 1D paying proper tribute to all the great boybands who came before them. They won more than 200 awards, including seven Brits, four MTV Music Awards, seven AMAs and six Billboard Music Awards. They have sold 200 million records worldwide, and as recently as 2019, achieved 3.6 billion streams across Spotify, YouTube and other platforms. Over the course of five studio albums, “the boys” made music history on multiple occasions, smashing industry records previously set by The Beatles and achieving that rarest of feats: breaking America. While their potential for success was noted by many at the time, no one could have predicted the phenomenon they would become. After initially auditioning as solo artists, Harry Styles, Niall Horan, Zayn Malik, Louis Tomlinson and Liam Payne became One Direction. Then the British rapper Devlin barrels in and punctures the song’s trance, sputtering about Satan and mimicking Zayn’s ridiculous phrases.Ten years ago, five aspiring singers were grouped together by Simon Cowell to compete as a boyband on the then-popular reality show, The X-Factor. His words slosh together on “Windowsill,” an indistinct slush of vowels over hazy synths and bass. “We are who we are when we’re alone,” he hums on “Tightrope,” between trickles of guitar and accounts of wrapping his legs around someone’s torso. “When Love’s Around” builds on a Views-era Drake beat that’s catchy enough to distract from the sound of Zayn moaning about his aura.
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The album’s most tolerable songs fixate on the physical, a pulsating goo of slow drums and reverbed descriptions of skin mashed against skin. He agonizes over whether to keep his dog after a split, wailing that “when I look at him, I think of you” he marvels that his “connexion” with a lover can be “digital, ooh, ooh, ooh, ooh, ooh, but physical, ooh, ooh, ooh, ooh, ooh, ooh.” One Direction's Harry Styles, Liam Payne, Louis Tomlinson, Niall Horan and Zayn Malik released an incredible list of hits together - here’s a look at all their songs in alphabetical order.
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“Like it’s a glove, I hated to admit it.” These are billed as confessional songs, supposed windows into his breakup and reunion with Gigi Hadid, but Zayn’s plodding self-seriousness contaminates any sense of closeness. Simpson metaphor: “Like it’s a crime on trial, I got acquitted/Me and you wasn’t meant, we wasn’t fitted,” he cries. “Hope I only leave good vibes on your living room floor,” Zayn croons over Starbucks-core guitar chords on “Better,” before floundering into a mangled O.J. Nobody Is Listening is a record born of the Justin Bieber school of R&B: blathering and diluted, a derivation of a derivation. Behold, our wish list for his next move (s). But he’s never sounded like this much of an amateur, the shimmer and sheen of his earlier music reduced to the rumpled nonchalance of another stoned guy who thinks he can rap. He remains desperate to remind you that he has sex, eager to insist that he smokes- well-trodden themes in Zayn’s solo music. He oscillates between brooding and breezy, different shades of the sound he’s strived for since he started recording on his own. Nobody Is Listening begins with a wincing mumble of spoken word: “My brain lives with the cannabis/Can I resist the dark abyss/Leave a mark on this with no start, just exist,” he intones, punctuating the words with dramatic piano chords. This next iteration of Zayn’s music has no hour-and-a-half-long concept albums tenuously based in Greek mythology, no sweeping intermissions or inane opening statements.
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